MIMA is a creative collective that provides music workshops for kids with limited resources around the world. This was their 10 Year Anniversary and they were celebrating by bringing their music and methods back to their place of origin. I’d been recruited by friends to assist in transforming Terrace, the most hippie Eating Club (not saying much when you’re used to Oberlin’s Co-ops, the most hippie of which is constantly pushing the boundaries of the word), into a Living Instrument. Each room was to embody a different character of music: dissonance, consonance, rhythm and silence to name a few.
Laini and I getting dressed in the study.
I was cast as a dryad (ß favorite phrase ever) and was put in charge of the Bacchanal-themed entrance hall along with fellow woodland spirits Laini and Kate-Lynn (painter and poet respectively). Our job was to usher in the collegiate recruits, strip them of as many clothing layers as they would part with and cover them with body paint (!). It was the anti-chamber, the portal between the codes and protocols of university life and something more playful.
The gears of the Living Instrument were set to start up at dark, so we spent the afternoon taking stock of our room and the beautiful fall grounds and then combined them. We dragged in bags of leaves and branches and ornamented the windows and tables with drapes and garlands. Then we went upstairs to a stately study (leather couches and Viking-sturdy tables), threw the remainder of our scarves and clothes into a giant colorful pile, and went about wrapping each other up nymph-style. It was clearly a room that would raise a disapproving eyebrow to such a flurry of ladies’ garments. Other MIMA members were donning bright onesie bodysuits, sumo second skins and Mexican wrestling masks. There were definitely clothing items that never made it out of that costuming cyclone alive. I swear a grumpy armchair swallowed some of the more flamboyant items out of spite.
The line to enter the Living Instrument ran long around the side of the building as night settled in. When each person entered, they were handed a small glass of ritual punch before being lead into the belly of the beast. Inside, they were guided throughout the house and directed in different exercises by MIMA musicians. I would hardly recognize these team leaders when I saw them later without their war paint. I had to re-meet them when we started hanging out as civilians in Brooklyn. And still, their alter egos sometimes flicker across their plainclothes, Clark Kent-stylings.
In the afternoon at Terrace, there had been a bright, open sunroom where students breakfasted. But no light came though the glass that night and the space was filled with a giant plastic bubble that the recruits filtered into at the close of their tour. Inside, the ears met nothing but the soft whirring of fans that kept the ceiling afloat. It was the silence room. Signs were held up to take us through different breathing exercises, to quiet and focus the mind.
So then the masses cleared out, most likely funneling into the nearest frat party. The MIMA managers, dressed as all manner of mythical beasts, circled up around a blue-suited Martian who bounded around the inside of our ring, leading us in a chant that grew and swelled and exploded into a primal scream and then melted into dance. Wild lose yourself dance at the hands of DJs you could trust your rhythms to. Who would build the beat slowly and wait until you were just dying for the music to peak and then take you to an epic height and cradle your descent.
We dragged ourselves into the hotel lobby just before the sun came up, a molting mess of melting mutant parts and raw human skin exposed. Blinking fiercely and working to get our spines steady, we looked like we had just hatched out of some psychedelic cesspool. Dripping colors onto the beige linoleum. The man at the desk didn’t look up as he handed us our keys.
The next morning found us sprawled on Princeton’s Elysian Fields, drawing energy up from the plush grass underneath. Gentle bouts of guitar and yoga and conversation would start up and then fade into the sunshine as we worked ourselves back up to consciousness. And of course there was Terrace’s house-made breakfast buffet complete with everything. (Yeah, they had that. And those.)
A communal painting at MIMA's new space in Brooklyn.
So why the flashback to this musical evening a year ago? Well, as it happens, MIMA set up headquarters in Clinton Hill, Brooklyn this January (relocating from Brazil). And so did I. Their space -- exposed beams, white walls, high ceilings – plays host to all manner of jam sessions, teacher trainings, workshops for kids, dance parties, yoga classes and communal painting parties (that was me). It’s becoming my second living room and the hive brain that’s based there is a powerful, creative organism.
If you want to join in on future events, shoot me an email and I’ll keep you posted. I have paintings up now and we’re planning an epic Folk Fe(a)st for May 12th.
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